May Day here in Malaysia, not to be confused with the ones in the UK. Today is Labour Day, for most part of this region anyways. Its been good this technology thing, just found out but the beauty of Windows Live (fill in the blanks).
My first try on Windows Live Writer, let us see how it turns out. Here goes.
3..2…1..Post!
I believe we will all be living in a green world in the near future. The only real question is, how fast will we get there and what path will we take. If human history is any indication of the path, we are in for a messy ride. Humans tend to take the path of destruction and exhaustion, before moving on to better ideas. Take for example our use of fossil fuels. We will take that as far as we possibly can, before we really make a serious efforts to change the way the world produces energy. But it doesn’t have to be that way. Infact, there is a better way to inspire the billions of people on the planet to adapt quickly and painlessly to a green lifestyle. That path, is through design.
Good design inspires the human imagination and draws us in. We never question what an object is made of, as long as the design is to our liking. Take for example Apples new line of notebook computers. They focus on design, not cpu speeds. It’s all about the shape, and construction of the case, the tactile feel in your hands. Yet, this notebook is Apples greenest computer they have ever made.
In the early days of the green movement, we had the hemp sandals, tied dyed t-shirts and teepees. Now we have the Tesla Roadster, pre-fab modern architecture and designers like Marc Newson.
The BBC took a in depth look at Marc’s work and where it leading us all. Watch the full BBC show here:
Designed to achieve USGBC’s LEED for Homes Platinum certification, the Kohler LivingHome reflects LivingHomes’ Z6 Sustainable Building Goals which include six key objectives for all LivingHomes’ construction and operation: Zero Water, Zero Energy, Zero Waste, Zero Emissions, Zero Carbon, and Zero Ignorance.
This house was premiered at the TED Conference in Long Beach, CA a few weeks ago. Here´s a time-lapse video of the house being assembled:
From the recycled steel and timber-efficient engineered lumber that make up the modules, central vacuum system, and mini-duct air distribution and ventilation systems that help improve indoor air quality; to the bio-composite wood siding, recycled glass tiles, blown-in insulation, high-performance windows with recycled frames, water-saving features and the home resource monitoring system that displays water, energy, and gas usage in real-time, the Kohler LivingHome is built to achieve a minimal environmental footprint.
The Kohler LivingHome is being offered for sale at $499,950.
For more information, click here. Images of the house interiors, after the break.
HiDrone - 1st Prize Awarded London Architecture Gallery International Competition 2008
SPARC is a team of international architects at the MIT based in Boston, MA, with a multidisciplinary background at the MIT´s Media Lab. This has resulted on a continuous research on smart/responsive environments applied to the world of architecture, design, urbanism and landscape architecture.
This new relation between technologies and built spaces has opened a wide array of possibilities, that we are just starting to see. And that´s why I choose this practice for this week´s AD Futures.
SPARC, a team of architects at MIT, is a Boston based research practice dedicated to exploring the world of architecture, design, urbanism and landscape architecture through investigations of design techniques and material technologies with regard to their affect on global culture. We explore the relationships between the body and space through performative designs. SPARC’s commitment to design innovation has its foundation in the accumulative experience of its founders:
Sergio Araya, Architect, MIT
Orkan Telhan, Media Artist, MIT
Duks Koschitz, Architect, MIT
Alexandros Tsamis Architect, MIT
We work on projects at different scales ranging from object design to landscapes. We often collaborate with artists, designers and innovative consultants in the development of inventive solutions for multifaceted projects.
SPARC’s research investigates methods to design and fabricate architecture with different levels of “embedded behavior” or responsiveness by combining different physical material properties of new designed “smarter” composites. This investigation is part of the fundamental interest of SPARC in exploring the relations between body and space through performative design, where designed material becomes an active interface between people and the built environment.
The process for distributing material properties is applied to explore the possibilities of embedding smart behaviors for built components. Aesthetics and function are implicated by this reorganization. SPARC contributes to the professional discourse and the industry, by providing a repertoire of design and building techniques.
1st Prize Awarded London Architecture Gallery International Competition 2008
HiDrone is an adaptable architecture gallery made of hydraulically operating pistons that are virtually and literally reconfigurable, filling and releasing water recycled from the Thames River. HiDrone has two states. When closed, it acts as a 3D screen. When open, it creates occupiable space. The piston operates distinctly at various scales ranging from display unit and furniture, all the way to enclosed, occupiable space. These pistons are pre-stressed with springs, which, when filled with water, assume a closed position. By controlling the amount of water released from the units, the volume of the object acquires different configurations.
In a closed state, the fiber optic light emitters act as voxels programmed to produce visual effects and 3D images for the city of London. In an open state, the pistons form floors, ceilings, and furniture depending on their configuration, creating variable spaces: a cafe, gallery, amphitheater, etc. Depending on the programmatic and climatic needs, the HiDrone is reconfigurable and reprogrammable throughout the course of the year, generating ephemeral public activity as it docks along the river’s edge.
1st Prize Awarded Gillette Landmark International Design Competition, 2009
Cutting edge is a sculpture made of 51 stainless steel “blades” stacked on top of each other. Cutting edge suggests an interplay between the materiality of the hard edges and the perception of soft volumes arrested in the metal structure.
Soft shapes emerge as a result of the moire effect created by repetition, and change their appearance when viewed from different vantage points. The repetitive use of “blades” is similar to the way Gillette has used the idea of repetition as a main part of its brand identity.
The proposed structure is made of laser-cut, polished stainless steel plates. Each plate is bent to its shape, polished and stacked in place using spacers made of cylindrical bolt assemblies. The cutting patterns will be generated by flattening the 3d geometry and will be provided by us to the executive party.
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